1868-1915,Swiss painter. While still at school he was given drawing lessons by Paul Volmar (1832-1906) in Berne. From 1883 he was a pupil of Fritz Schider (1846-1907) in Basle, where he became acquainted with the works of Hans Holbein the younger and Arnold B?cklin. In 1886 he went to the Akademie der Bildenden K?nste in Munich, transferring in 1887 to Simon Holl?sy painting school. After seeing the works of the French Impressionists exhibited in Munich, he moved to the Acad?mie Julian in Paris in 1889. He made several journeys to Algeria, Holland, Belgium and England, and in 1893 he returned to Munich to study under Albert von Keller. In 1898 he settled in Switzerland, living first at Lucerne, then from 1903 in Brienz, near Interlaken. About 1900, influenced by the paintings of Ferdinand Hodler, Buri moved on from his early genre pictures, which were in mawkish shades of pink in the style of Keller and H?llosy, to achieve an individual style that brought him great popularity. He established his reputation with Village Politicians (1904; Basle, Kstmus.). He painted mainly the landscape and people of the Bernese Oberland, often depicting single figures and groups in front of bare indoor walls in realistic everyday scenes. The expressiveness of the compositions is achieved by clear contours and powerful clearly differentiated surfaces in local colours. Buri works are essentially populist rather than intellectual and avoid Hodler strict parallelism and Symbolist content.   Related Paintings of Max Buri :. | Die beiden Freundinnen | Politische Unterhaltung | Mutteridyll | Apfel | Brienzersee-Landschaft |
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Jacques Sablet
Jacques Sablet (1749 - 1803) was a Swiss painter. Son of a decorator and gilder from Lausanne, he studied with his father before moving to Paris in 1772; there he worked with Joseph-Marie Vien for three years. When in 1775 Vien was named director of the French Academy in Rome, Sablet accompanied him there. His ambition was to be a history painter, but facing competition from Jacques-Louis David and Pierre Peyron, among others, and lacking solid academic training, he could win no commissions. Instead he turned to portraiture , genre painting, and landscape painting. Most of his genre scenes depicted the city's everyday life and customs of the Campagna. Sablet shared a studio with history painter Hubert Drouais and was friends with Simon Denis. He fled to Florence in 1793 with the rise of anti-French sentiment in the Papal States, but perhaps because of the competition he would face there from Louis Gauffier he soon returned to Paris.
Adriaen van de Velde
(bapt. 30 November 1636, Amsterdam - bur. 21 January 1672, Amsterdam), was a Dutch animal and landscape painter, son of Willem van de Velde the Elder and brother of Willem van de Velde the Younger, the marine painter. Adriaen did not want to become a marine painter so he was trained in the studio of Jan Wynants, the landscape painter. There he made the acquaintance of Philip Wouwerman, who is believed to have aided him in his studies of animals, and to have exercised a powerful and beneficial influence upon his art. Having made exceptionally rapid progress, he was soon employed by his master to introduce figures into his landscape compositions, and he rendered a similar service to Hobbema, Ruysdael, Verboom and other contemporary artists. According to Houbraken, he died while in collaboration with Jan van der Heyden and Frederik de Moucheron, painting animals on their paintings.[1] His favourite subjects were scenes of open pasture land, with sheep, cattle and goats, which he executed with dexterity, with much precision of touch and truth of draughtsmanship, and with clear silvery colouring. He painted a few small winter scenes with skaters, and several religious subjects, such as the Descent from the Cross, for a Roman Catholic hidden church in Amsterdam. In addition to his paintings, of which nearly two hundred have been catalogued, he executed about twenty etchings, several of which appear from their dates to have been done in his fourteenth year. They are distinguished by directness of method and by delicacy and certainty of touch. Van de Velde lived in Kalverstraat, near the Regulierspoort.
Henri Felix Emmanuel Philippoteaux
(1815-1884) was a French artist. He was born in Paris, France, studied art at the studio of Leon Cogniet,and first exhibited his work at the Paris Salon of 1833. One of his most well-known works was a depiction of the Siege of Paris during the Franco-Prussian War, painted in the form of a cyclorama, a type of large panoramic painting on the inside of a cylindrical platform designed to provide a viewer standing in the middle of the cylinder with a view of the painting. Viewers surrounded by the panoramic image are meant to feel as if they are standing in the midst of a historic event or famous place. Philippoteaux also produced a large number of works chronicling the rise and successes of Napoleon Bonaparte, including a portrait of Napoleon in his regimental uniform and a group of paintings of French victories in the Napoleonic Wars. Philippoteaux was awarded the Legion d'honneur in 1846. Philippoteaux's son Paul Philippoteaux was also an artist; both were famous for their production of cycloramas. Father and son collaborated on The Defence of the Fort d'Issy in 1871.